Antique Lux is a new generation of marble-look porcelain. Gazzini always has a special approach with their marble looks and, with this line, they are taking advantage of exciting new technology to achieve a final product that truly looks and feels like real marble. The glazes are applied in a way that perfectly follows the surface structure, creating veins that you can feel as well as see. The special finish is made the same way as fully polished material, with polishing wheels that rub the surface, but without going as deep as with full polishing, creating an elegant satin finish. The finish also has technical advantages such as better resistance to scratching and no risk of microporosities. By the innovative combination of these two techniques, we have a marble look that is extremely natural to the touch as well as stunningly beautiful. The line comes in 6 colors that are familiar yet unique. Gazzini was inspired by real marble, and then they finessed the graphics and colors to make them even more attractive to market demands.

Aurea evokes the golden era of ancient Rome with each color name referencing a famous place in the hallowed city. The look is old marble that was installed centuries ago. The surface is slightly undulated, giving the effect of a floor that has had people walking across it for hundreds of years. The undulation includes edges that are not completely flat creating some high and low areas that present as lippage. There are also little scratches in the graphic to add to the worn effect. The final result is an antiqued marble that uses history to elevate a contemporary application.

Antique Lux is a new generation of marble-look porcelain. Gazzini always has a special approach with their marble looks and, with this line, they are taking advantage of exciting new technology to achieve a final product that truly looks and feels like real marble. The glazes are applied in a way that perfectly follows the surface structure, creating veins that you can feel as well as see. The special finish is made the same way as fully polished material, with polishing wheels that rub the surface, but without going as deep as with full polishing, creating an elegant satin finish. The finish also has technical advantages such as better resistance to scratching and no risk of microporosities. By the innovative combination of these two techniques, we have a marble look that is extremely natural to the touch as well as stunningly beautiful. The line comes in 6 colors that are familiar yet unique. Gazzini was inspired by real marble, and then they finessed the graphics and colors to make them even more attractive to market demands.

Motif reproduces all the special features of the classic Calacatta Gold marble of Italian tradition. The vein, color, tactile sensation and visual impact all reflect the beauty of this noble stone with it’s bright white background and warm veining. With the Natural (honed) and Polished finishes, and multiple sizes and mosaics, Motif offers a full range of options within this one color series.

Alabastro offers two colors of light, white marble (or Alabaster) that hit the sweet spot by being neither too plain nor too busy. The overall look is soft and subtle, but the graphic also has impressive depth making it feel as though you can see through layers of alabaster stone. The Avorio color is perfect for the customer seeking a refined marble look in a warm, gold-based tone. The Bianco fits the customer who wants to stay more neutral, with its warm grey veining. With two finishes in two sizes in both colors, plus the 24 x 48 in polished only, this series can be used many ways and will add character to any project.

For their Taj Mahal series, Campogalliano was inspired by the beautiful white marble of the iconic landmark it is named for. Different from other white marbles, the Taj Mahal white is almost tone on tone, with beautiful veining that has a gentle, onyx-like grain. With one color in two finishes and two sizes, this series epitomizes the classic timelessness of white marble, adding elegance to any installation.

Verde 1999 employs graphics from different stones and concrete, mixing them together to create the crossover contemporary/classic look for the Blast series. Both sizes of this colored-body inkjet porcelain are rectified. It is important to blend tiles within each carton, and from different cartons during installation to insure a proper range of variation.